Monday, May 20, 2013

wait wait wait philipe garrel is louis garrel’s father??!?!?

like woah philipe congratulations on being an A+ director and an A+ producer of attractive offspring

mudwerks:

(via Jean Painleve: Science is Fiction | Le Journal de la Photographie)
Jean Painlevé (1902-1989) Hippocampes Males, vintage print

mudwerks:

(via Jean Painleve: Science is Fiction | Le Journal de la Photographie)

Jean Painlevé (1902-1989) Hippocampes Males, vintage print

Omg! This film has so many good messages like that within it, but I can’t help but want Dev to shove off n let his sis Zeenat become a hippy devil!

lol yeah it all kind of felt like a big mess, like Dev Anand was just (rightfully) pissed off at hippies and made a film about it but it kind of backfired because Zeenat was too cool to pity

unimpressed2chainz:

omg, men w/ long faces, or like crooked noses, or like not gross facial hair just (づ ̄ ³ ̄)づ

#also extra points if you look like a scared woodland creature a lot of the time

THIS IS ACTUALLY A DESCRIPTION OF ME

chuckdropthebass:

A boy liked me once *war flashbacks*

artschoolglasses:

The fabulous Gong Li

Sunday, May 19, 2013

TEACH ME YOUR WAYS

(Source: monacoprincess)

cinemanotebooks:

thekurosawaproject:

Photographer Elliot Erwitt’s Kurosawa portrait, from 1989. 

Kurosawa in his natural habitat- a ballet studio.

cinemanotebooks:

thekurosawaproject:

Photographer Elliot Erwitt’s Kurosawa portrait, from 1989. 

Kurosawa in his natural habitat- a ballet studio.

merryescapism:

HE LOOKS SO FRICKING HAPPY 

(Source: humortrain)

five films to describe your taste

lepontdunord:

this was asked on a forum i post at and here’s what i came up with.

la vie nouvelle, for its haptic abstraction, nightmarish vision, and sensory assault
glue, for its hazy remembrances, summer grime, and wayward youth
the young girls of rochefort, for its precise staging, joy in music, and impossibly gorgeous colors/actors/setting
toutes les nuits, for its philosophical inquiries, essentialism in physical motion, and awareness of time’s passing
margaret, for its narrative asides, perpetual messiness, and constantly vacillating emotions

mine would be:

  • zazie dans le metro for the humour
  • les parapluies de cherbourg for the mise-en-scene
  • awara for the cinematography and music
  • stalker as the opposite of zazie
  • the hole as a combination of all of the above